THE GREATEST LOVE SONG EVER WRITTEN

Well, maybe that's overstating a bit, but I heard it this morning for the four hundredth time and I just think it's genius. It's a song from William Finn's show, March of the Falsettos. I heard it this morning while I was working on a play and I was struck with the awe of an aspiring painter standing in front of a Cezanne still life:

"I will never in my life make anything so perfect."

Here's to trying anyway, right kids? Cheers.

A Marriage Proposal

I love you dear
I think you’re swell
You’re never near me close enough to tell
If I’m delightful or not.

I need your wrist
I praise your thigh
There’s not a guy
There’s not a piece of paper
There’s not a man in pants
Who can love you the same as I

Often times lovers are crazy people
Sometimes they kill each other
Just like a biblical brother
Did to his biblical brother.
Back in biblical Times.

Biblical times?
Biblical times?
Biblical times.

All those Biblical times!

I love your eyes.
I love your face.
I want you by my side to take my place
If I get sick or detained.

Don’t brush your hair, you’re perfect.
Don’t start to cry.
There’s not a guy,
There’s not a horse or zebra,
There’s not a giant man,
Who could love you the same as I.

Forget that giant man,
He won’t love you the same as I.

I’m not a giant man,
But I’ll love you until,
Love you until
I die.

TOO BAD ABOUT JOHN RITTER BEING DEAD

My boss's publicist called me today because another one of her clients, a seriously b-list babe named Kim Something, is moving to NYC and needs an assistant. She was wondering if I knew anybody...

I suggested Law, my friend and co-writer of my genius, undoubtedly soon-to-be-produced television pilot. He is organized, enthusiastic and broke. Plus, he has seen me in the throws of my professional challenges (Oh no! Boss lost the AC adapter to his favorite UK-purchased personal DVD player. Whatever am I to do?! To Radio Shack, Cabbie! On the double!) so he knows what to expect.

To my suggestion the publicist responded:
"Is he gay?"

Implication: Not gay? Not interested. And poor Law is married. To a woman.

What is this, some kind of reverse homophobia? Affirmative Action for the light-footed among us? Is a homo more equipped to book a table than a straight dude? Better at buying sliced turkey or light bulbs?

The gays have been taking jobs from straight women for years now: Interior decorator, makeup artist, aerobics instructor, arm candy. Now they are taking jobs from straight men? When will it stop? Soon we non-queers will be made irrelevant!

And then I realized...what we had on our hands was the makings for a fantastic new sitcom.

20-something single male pretends to be gay so he can work his dream job--assistant to obscure TV actress! Hijinks ensue when he has to keep his over-active love life a secret from his boss---quite possibly the only woman he really loves!!

I knew that prejudice had it's benefits.

SELLING OUT

Vegas Elvis, sell out?

Elvis grew up poor. He started singing because he thought it might make him some money. "Artistic integrity" is the stuff of high-minded academics. It's the kind of phrase we unsuccessful writers comfort ourselves with during long, sleepless nights where dreams of time and age and anonymity have us sitting up, sweating, doing Sudoku.

"But I have never sold out," we say, panting, panicked.

Of course, no one ever asked us to.

A SLOW DAY AT THE OFFICE, A SERIO-COMEDY

PART ONE: SOME THINGS ARE NOT FUNNY
This is not a political blog, and for the most part, I am not a political person. But today I am going to share something I read in the New Yorker:

On Social Security, Clinton has avoided a detailed approach to fixing the system, which is expected to run out of money by the twenty-forties; for now, she would appoint a trusty “bipartisan commission” to recommend solutions. Obama proposes raising the ceiling on income that is subject to the payroll tax. As a political strategy, this appears to be a terrible idea. A potential crisis in the Social Security system is a long way off. Why, then, would a new President spend political capital on yet another tax hike when he will almost certainly seek to undo the Bush tax cuts for more immediate demands, like universal health care? When I asked Obama about this, he smiled and leaned forward, as if eager to explain that my premise was precisely the politically calibrated approach that he wanted to challenge. “What I think you’re asserting is that it makes sense for us to continue hiding the ball,” Obama said, “and not tell the American people the truth—”

I interrupted: “Politically it makes sense—”

He finished the sentence: “—to not tell people what we really think?”

I am so very tired of being lied to. I am so ready for someone to tell me the truth. Anyone else?

PART TWO: I'M GONNA EAT YOUR ASS UP LIKE STEAK AND SHAKE
But that's enough serious for today. Here's one of my favorite moments of onscreen musical comedy. The basketball scene from Charlie Ahearn's Wild Style.

I TAKE REQUESTS

My oldest friend, Jordana, was in New York this weekend, and she expressed an interest in making an appearance in this blog. I am not a diva. I will happily fulfill requests from loyal readers!

Full Disclosure: This is the first request I have received. I didn't realize that I had loyal readers. Sometimes I worry that my life/blog is like a Sting song, "Just a castaway, an island lost at sea, oh./ Another lonely day with no one here but me, oh."

I have known Jordana for so long, that in the course of our evening out with friends on Saturday, she said, "Oeenka!" and I knew that she was referring to Demi Moore's nipples in the movie, Ghost. If that's not friendship, I don't know what is.



In elementary school I got a curling iron with a brush attachment thoroughly stuck in Jor's hair. I had picked up the conventional wisdom that peanut butter is just the thing for liberating objects from hair. For the record, it isn't.

When we were in middle school we would go to open swim at the high school. We would shower in the locker room afterwards and get a Strawberry Crush from the pop machine. We felt so "Sixteen Candles".

Also in middle school, we were assigned a country to study for an entire year: art projects, cooking projects, research papers, all of which would culminate in a Culture Fair at the end of the year. Groups were assigned countries like China or England or France. We got Zimbabwe. Zimbabwe! We wrote a song:

"Zim, ba-ba-ba-bab, take me away away away to Zimbabwe!"

We would sing the song at the Bat Mitzvahs of everyone in the group.

Freshman year of high school, Jordana, Annie (you remember Annie, readers. She was the child with the ziplock baggies) and I decided to choreograph a dance for the annual dance show. Annie and I were committed to making our dance an allegory for the fall of communism. Jordana thought that was stupid. The teacher in charge of the show sided with Jor.

We once shared a bottle of wine at the foot of the Andes. I felt arty. She felt posh. During that trip we visited a Chilean vineyard. Our tour group was overrun with Mormons. We concluded that the Mormons were either doing reconnaissance or looking for sinners to convert.

It was nice to see Jor.

STRANGE BEDFELLOWS

Last night, while eating homemade Croatian goulash at my friend Jeremy's house, I put the following question to the group:

If you could be any ethnicity other than your own, what would it be?

I answered first. I chose Cuban. Good food, wonderful music, an interesting fiery culture. Bright and hot and sunny.

Josh, in a move that betrayed a lack of interest or understanding in our game, said Canadian. When we protested he changed to Ukrainian, because the men there are good looking.

Jeremy picked Swedish.
"I love the food," he said. "And it's a very progressive culture."
"But what about the suicide rate?" I asked. Jeremy shrugged. I offered, "It will be a short life, but at least it will be a Swedish one!"

Then onto Greg. My partner in love and life. He took a moment to deliberate. Finally, he chose Russian. For their crazy/seriousness, he said. Good art. Drinking and dancing and violin playing into the wee hours. A funny people.

To recap: I picked Cuba. He picked Russia. Chiles and black beans and plantains vs. potatoes and vodka and beets. Sarongs and old cars and mambo on the one side. Fur-lined hats and great coats and Rachmaninoff on the other.

Well, at least we will always have Communism.

MY DISTASTE FOR DRAMA, DESPITE MY REPUTATION

Yesterday morning I gave some coins to a beggar on the subway. After saying no to thousands like him, yesterday I was moved to give. And he didn't have a sob story--he was rather soft-spoken, really, "God Bless Everybody", he said. "Sorry to bother you." He was a man, maybe a little older than I am, maybe my age, barely asking, though not ashamed. And it was the softness--of his voice, his tread, and his reluctance to intrude, that pushed me, almost immediately, into my purse for change.

Movies have ruined me for vociferous suffering.

In 2000 I stayed at my grandmother's house in Dayton, Ohio for a long weekend before I moved to South America for a year. It was a goodbye visit. My grandmother had, by then, been diagnosed with pancreatic cancer, the disease that would finally end what had been a difficult last chapter. By this point she was completely without her short term memory. I remember riding in a car with both my grandparents in Chicago during the previous year:

"Where are we going?" my grandmother asked.
"To Debra's house." My grandfather responded. Pause. Inhale--Exhale.
"Where are we going?" my grandmother asked again.
"To Debra's house for dinner."

And on and on and on during the ninety minute car ride. Eventually I started making up responses:

"To the beach, Nanny. We're going to Jamaica."
"To Renaissance Italy. We're going to luncheon with the Medicis!"

My grandfather was not amused by my tactics. He thought I was not being fair to her, by keeping her in the dark:

"She's in the dark, Papa," I said. "There's nothing you can do about it. You may as well do what you can to keep yourself from going crazy."

But anyway, that was before the cancer.

One night, during this goodbye visit to Dayton, I heard my grandmother walking around the house screaming, "The pain! The pain! The pain!" She was holding her ribs, grasping at the walls. It all seemed very dramatic to me, a bit 1970s Bette Davis. I said as much to my Aunt Kathy:

"She's dying, Ilana," she said. "It probably hurts."

Sometimes I suspect that I am such an asshole.

FLEXIBILITY

When I was a kid I could sit on the floor with my foot behind my neck.

When I was a young adult I could expect change from myself and others.

It's amazing how tight our bodies and our souls become with age.

A LOS ANGELES WEDDING

A personal assistant for a legitimately famous person should be able to get herself to a wedding without incident.

A personal assistant, organized as she must be to keep track of rehearsals and travel plans and poker games and Regis and Kelly appearances, in order to remember bologna-yes/lamb-no, that the light bulb next to the bed needs replacing, that Thursday is boss's sister's birthday, any personal assistant worth her swag would be able to bring a wedding invitation into the cab meant to carry her to the event. She would realize that brides say a lot of things in the course of planning a wedding. She would know that just because a bride says, "I am really mellow about the whole thing", or "It will be at the Beverly Hills Hotel", that doesn't mean it's true. A personal assistant knows this.

She leaves the hotel way ahead of time, our intrepid personal assistant, not because she may show up at the Beverly Hills Hotel only to discover that they have no record of the wedding in question, because she would know by checking the invitation in her hand that the Beverly Hills Hotel is not her destination. She would leave the hotel way ahead of time, looking effortlessly chic, just in case the wedding venue is miles and miles up a hill with few signs and no lights. She would never feel relieved when another guest waves down the cab from her car because she is also lost and late. Our P.A would never pay the cabbie and jump in the car with her boyfriend and this stranger so that she would not be the last to arrive at the event. She would have been there for many minutes before the ceremony began, of course. She would have had time for a drink. And a fresh coat of lipstick in the mirror of the flower-strewn powder room.

A hermit, maybe, a telemarketer might huff up the last few feet to the top of the hill just in time to see the windswept bride say "I do."

Not a personal assistant for a lauded movie actor. That would be ridiculous.

OLD FRIENDS

I am in Chicago...my hometown.

Last night I had sushi (Delicious, buttery, could stand up to any NYC sushi restaurant) with two old friends of mine with whom I have had similarly complicated relationships: I stopped speaking to Danny because I didn't like his girlfriend, Joey stopped speaking to me because his girlfriend didn't like me. And last night, all I could think about was how much fun I was having; how nice it was to be with people who had walked a ways with me on the long, craggy-rocked path I have hiked towards adulthood. It occurred to me that I meet people all the time, people whose emotional lives are undoubtedly pocked with the relationships that formed them, people who love their family and their old friends, people who stop a bullet for someone I will never meet.

I have met too many people now to give myself to my friends as readily as I once did. I am so quick to find fault, easily bored, difficult to impress. There is something about my friends from my hometown--It is one reason why this place, this gladhanded city by the lake, has such a hold on my heart.

SNACKS

I have never been one of those people who carries little baggies filled with healthy snacks along in my bag. I didn't come from a baggie-toting kind of family. When we were kids, my friend Annie always had a baggie packed with carrots and cucumber and another baggie with advil and vitamins. Her mother is a nurse. Annie was always prepared for any eventuality. My mother was a floral designer. We always had tissue paper in the house.

I often see grown people--women, mostly--feasting on bagged goodies on trains and planes and the like. It takes a kind of foresight...

"Yum! What a delicious breakfast! I am quite satisfied. Of course, that satisfaction will not last forever. Some wheat thins in a baggie might be just the thing I will need later, when I am no longer full".

My brain just doesn't function like that:

"Yum! What a delicious breakfast! I am quite satisfied. I wonder what it would feel like to be turned completely inside-out."

Spending a flight pining away for someone else's bell pepper strips is no way to travel.

(Is this the best fucking topic I could come up with for blogging? How pathetic!)

Is there something profound here? If I could think enough into the future to pack some veggies for the road maybe I would be happier? More successful? Less prone to fits of dispair?

(I have a master's degree).

(Parenthetical remarks are meaningless and should be ignored.)

If I started carrying baggies around, would more people read my blog? That would be an absurd correlation, don't you think?

THE GREATEST SENTENCE I HAVE EVER READ ON THE INTERNET

"Even if you hate Park Slope and you think you'd like this video, you'd hate this video because it's not even bad funny."

SITTING IN UNION SQUARE...

I look over the shoulder of the bearded boy next to me, scribbling in his moleskein notebook. I see the words, "life" and "hate" and "imagine" and I remember being young and disdainful of money. I think of my beardy ex-boyfriend. He just won some kind of a fancy grant.

Fuck him.

It was a long day. An early day featuring plumbers and a kidney bean-shaped coffee table and a 16-year-old girl from LA who asked me where kids her age hung out in New York. I made something up because, after all, how would I know?

Today I schlepped a drawing worth tens of thousands of dollars on a city bus. Because I could. Because it was practically door to door service. Because it was free. Because I don't think I should treat a drawing better than I treat myself. If the bus is good enough for me, it's good enough for an overpriced Dzama.

Am I becoming a hater? Sometimes I feel like the kind of person to which the "Mean People Suck" bumper stickers are referring.

TIME THE REVELATOR

This morning I picked up a magazine from May of this year and felt a twinge of nostalgia for time gone by. To recap: I felt nostalgia for May when it is barely July. There was an ad for the final Sopranos episodes, long since broadcast and analyzed to death by the viewing public and those in the business of helping that public understand the things it sees on something called an "idiot box".

(I don't mean to bad-mouth television or those it employs. I wrote a pilot after all. And if any of my five readers have a contact in Hollywood, please do not hesitate to share! Desperate times indeed.)

It just seemed so sad that the time had passed. Only that it had come and gone, not that it was any more wonderful than the here and now.

My nostalgia for a month ago brings to mind the first job I had upon moving to New York. It was in a cosmetics store in Soho (actually, Nolita, but I refuse to acknowledge Nolita [North of Little Italy] as anything other than a bogus real estate construct). I spent most of my days in the store alone, since there were very few customers and therefore, no real need to employ more than one salesperson at a time. I filled my hours reading and giving myself one makeover after another. The store's owner lived in Canada most of the time. It really was a pretty cushy job, though I often left the store with some outrageous shit on my face. It was a strange era for me, fashion-wise. Yellow eyeshadow, for example, is the kind of experiment only a bored makeup salesperson would venture. A smarter one than I would insist on a full wipe down before the day's end. Me? I thought I looked fierce.

In any case, the owner left maybe three CDs that we were meant to play at the store. Before the end of my first week, I was sick to death of the mellow Euro techno-pop albums. There was one album though, someone must've left it there, Gillian Welch. I listened to it over and over again:

And every day it's getting straighter
Time's the revelator
The revelator

PUNK WISDOM

PUNK WISDOM: Fuck you very much for asking. I will be only myself. Time spent thinking of what I should be doing is lost time, time I might have used to do something fun. Of course, thinking these things is the antithesis of punk. PUNK WISDOM is not about thinking, it is about doing. It is about the present as opposed to the future or the past.

Perhaps this is the stuff from which great things are made.

Or maybe I'm just punchy from the heat.

It Happened in Williamsburg

Last night I hosted a comedy show in Williamsburg.

For those of you who aren’t from around here, you may appreciate a short geography lesson. I live in South Brooklyn, or Brownstone Brooklyn. It’s a charming, picturesque area filled with boutiques and yoga classes and stay-at-home Dads. People have backyards here. They know about wine. If they don’t have kids yet, they are practicing their parenting skills on their dog(s). North Brooklyn, the area that includes Williamsburg, used to have a lot of loft space, so gentrification of the former slum (anyone read “A Tree Grows in Brooklyn”?), was begun some years ago by artists looking for space. The artists have since been more or less priced out, and have left in their wake a hip, if ugly, area. Lots of tattoos and vintage dresses and serious philosophical talk about non-serif fonts and internet phenomena. Lots of bands with names that have the word “Cheese” in them.

I used to live in North Brooklyn. Even though I went to art school, and a small, liberal arts college, and have short hair, I could not really hang with the scene there. For me, and I judge not the many who have made it their home, Williamsburg and the neighborhoods around it is just a little too far on the “Trying” side of the “Being vs. Trying” spectrum. I chose the quieter, if less hip, South, and I shall never go back.

Unless it’s for stage time, of course, for which I have gone to far worse places, believe me.

This was a bar show. Often, bars that have stages set up for bands will find their one comedian friend and say, “Hey, friend. You’re a comedian. That’s a stage. How ‘bout getting a show together? We’ll have a comedy night! Everyone loves laughter!” The problem with this mentality is that unlike a band, a comedian is dependent on a focused audience in order to be effective. Usually the bar will set up some tables and chairs in front of the stage, where a few brave souls will sit and watch the show, while another throng of people gathers around the bar, somewhere away from the stage. The poor comic has to try to get his/her hilarious message to those who are interested, over the swell of the drunken, half-listening bar rats in the background. This was exactly the situation I faced last night. I would add only that the microphone was turned up too high, so my set was twice interrupted by some feedback in the style of the late Jimi Hendrix, but without the LSD.

Sounds pretty bad, right? We comics are sluts for stage time. We’ll do any show, anywhere.

I was hosting, as I said, which I do often and pretty well. I open the show, do maybe ten minutes, then introduce each comic. To be a good host you have to be able to improvise—make fun of the crowd without alienating anyone, and know when it’s good to do a couple jokes in between acts (like if someone just bombed or if the audience seems tired), and when it’s better to just bring on the next act. The audience also sees you as the person in charge, so if shit goes wrong, you may have to address it.

My friend Ben was in the middle of his set, about halfway through the show, when the heckling started.

We comedians can handle heckling. “I think I’m funnier than you” drunken spouting in a club, that sort of goes with the territory. But these guys last night were out of hand. There were three of them, and they sat way back at the bar, miles from the stage. I would describe their style and attitude as Hipster-Thug; trucker hats and hair and little jeans, with a side helping of blood lust.

Ben was having a great set, one of the funniest I’ve ever seen him do, and I’ve seen Ben’s act maybe fifty times. He was really getting into his groove when all of a sudden, from the back of the bar, with the subtlety of a Celine Dion power balad we hear: “You suck! Get off the stage! You’re a fucking pussy”, etc. Ben got mad, started yelling back. It went on from there. Comic after comic went on stage, interrupted periodically by touretic outbursts from these PBR-pickled hooligans. By the time I got on stage to bring up the last comic, the threesome had moved from the back of the bar to the table closest to the stage. They had quieted down some, but I could tell they were waiting to make their move. I decided to do a couple of jokes, loosen the mood a bit, when one of the three—big-ish with black curly hair so perfectly coiffed that it looked like a wig—stood up and asked me for the microphone.

There was no way I was going to give this guy this mic. Even though everyone in the bar who wasn’t a comic was begging me to do it, screaming for me to do it, even as he got closer and closer to the stage with a menacing look and his hand out, I was never going to put my mic in it. Because fuck him. After all that? I’m going to give this douchebag what he wants? No way!

I started doing a sort of Southern preacher thing. “I’ve worked too hard to get up on this stage! I’ve done open mics that you wouldn’t wish on your worst enemy! Can I get an amen, my brothers!” Still the guy stood there. I kept talking, making shit up, talking about how the guy could play me in a movie of my life, telling stories until finally he and his friends turned and walked out of the bar.

Let’s hear it for the little victories in life.

Afterwards, Joe, one of the guys who runs the show, approached me and put his hand on my shoulder. “You’re my fucking hero,” he said to me, “You can MC my show anytime.”

I just smiled, shook my head. “I’m not a hero, Joe, just a girl doing her job."

I was a camp counselor, after all. If you've faced a cafeteria filled with hormone happy Jewish kids on a ritalin vacation, you're pretty much ready for anything.

Good to know I could finally put those skills to good use.

Things I have done to make myself visible (In no particular order)

1. Wear very bright pink lipstick.
2. Perform—on a stage and elsewhere.
3. Behave in such a way so as to convince others that I am funny and creative.
4. Walk around in outrageous clothes and jewelry.
5. Keep a blog.
6. Write—plays, screenplays, letters, emails, jokes.
7. Lose weight.
8. Say incendiary things in public.
9. Try hard to be someone’s friend.
10. Project myself as a talented person.
11. Sing.
12. Dance.
13. Cook.
14. Go to parties and act impressive
15. Find a good relationship.

16. Play hard to get.

"Half the time we're gone but we don't know where.
And we don't know where."

Addendum

Beyond being drug addicts and prostitutes, the disappeared women of Vancouver were people. Their underclass status allowed the police to be niggardly with time and money, causing the investigation to stretch on for years, enabling a serial killer to abduct more women.

For specific information about these women as individuals, rather than as nameless, faceless sex-working drug addicts, check out www.missingpeople.net. Here are some images from Lincoln Clarke's book Heroines, about women in the Downtown Eastside.

Visible Art, Invisible Lives

I am collecting my thoughts on art and usefulness. I was ready to write a whole snarky entry about a performance video I saw at the Brooklyn Museum’s Global Feminisms show. The piece is by Rebecca Belmore, a native Canadian artist (I have come to understand that her First Nations background is important to her definition of herself and her art, which is why I include that information). Her piece is called The Named and the Unnamed. Here is the aforementioned snarky entry that I had begun to write about it:

“What is the point of this shit?”

This is the question I asked myself while watching a video of a Canadian woman expending considerable effort freeing the skirt of her red dress from the wooden board to which she had just nailed it. It was hard work, pulling the skirt from the nails, and it caused much ripping and sweating and groaning from the Canadian. Then, the minute she finished yanking the skirt from the final nail, she walked a few feet over from where she had been standing, and started nailing the tattered remains of the skirt onto another board just so she could wrench it off again.

It is not the artifact itself that seemed pointless to me--there was a kind of beauty in the repetitive action, the sight and sound of the ripping material, the saturated red superimposed on the drab urban squalor in the background. Its projection over a scattering of illuminated tungsten light bulbs added to its pleasing visual effect, as did the black words scrawled across the arms of the artist. If beauty were the purpose of the piece, I would not hesitate to applaud it as an unqualified success.

But that’s not why she did it, this Canadian artist. Beauty was the intentional and somewhat unimportant byproduct of a statement she wanted to make. Rebecca Belmore (That’s the artist’s name) wanted to—commemorate? memorialize? draw attention to?—the disappearance of some other Canadian women.

And then I started reading about these disappearances, and my will to critique sort of deflated. It really is a pretty gruesome story. Some 54 prostitutes disappeared from Vancouver’s Skid Row, the Downtown Eastside, between 1983 and 2001. The police did not even get involved until 1998, and did not make an arrest until February of 2002 when they arrested a pig farmer named Robert Pickton. His ongoing trial for the murder of 27 women began in January of 2006.

I don’t know. Originally I was struck by the time and effort that this Rebecca Belmore wasted in making this piece. Wouldn’t she have done more good by funneling those resources into a more direct action? She could have volunteered at a women’s shelter or a rehab center or raised money for the victims’ families. But she is an artist, the argument goes, not a social worker or a fundraiser or a politician. Her role is to commemorate, memorialize, draw attention to an issue. But, to what end?

Artists did not cure AIDS, for example. They wrote about it, painted about it, performed about it, sang about it, filmed movies about it, did anything they could think of to commemorate, memorialize draw attention to it. But cure it? Did they help anyone? Well, they helped themselves, undoubtedly, since AIDS directly affected so many in the art community. But Canadian junkies don’t go to art shows. Prostitutes are not healed by performance art. What about homophobes? Do they go? Policy makers? Do Republicans go to galleries?

It’s a confusing issue, kids, ain’t no question about it. Maybe I myself stand as reason enough for Belmore to have made the piece. I saw it, I remembered it, it inspired me to look up the story of the missing women, inspired me to write about it here. Maybe it will inspire you to read about the women too. And to—what? Feel something about them?

Many of these women’s disappearances went unnoticed for a long time, often years went by before they were reported missing. That is the saddest part of the story for me. It is heartbreaking to imagine a life so solitary that its end concerns no other living soul. And still, right now on this earth we all share, there are people alive and alone; people whose solitude is so complete that their status as alive or dead makes little difference to anyone but themselves.

I am reminded of something said to me once...

I lived in Chile for a year after I graduated college. I met many Chileans who had spent some ten, fifteen, twenty years abroad, in exile. The idea of exile and torture and political upheaval was, of course, incredibly thrilling to me—an American bored by my country’s stability. I was like a teenager jealous of her friend’s trouble at home. Drama, after all, is the fascination of suburban youth.

I remember a conversation I had with one woman who had spent the eighties in either Switzerland or Sweden—the countries have very similar-sounding Spanish names and I never could remember which was which. I was commenting on how unnerving I found the Chilean habit of openly staring at strangers in the street. She responded by saying, “Yes. I noticed when I was in Switzerland (Sweden), everyone looked down, looked away. Nobody looked at me there. I felt as if I’d become invisible, like I’d disappeared.”

Rebecca Belmore got me to notice her, and through her I noticed these 54 lost girls. Because of a piece of art, people previously invisible to me had become visible.

Maybe there is a hope for art, after all.

Sigh...

Very Modern Bride

I am not really a person who goes in for schadenfreude. Paris Hilton’s pending mental breakdown in the face of honest-to-goodness incarceration, for example, does not add any kick to my coffee. Perhaps it’s because Paris’ life never seemed so wonderful to me before her conviction. A person who posts a video of herself staring blankly into a video camera while being taken from behind by Shannon Doherty’s ex-boyfriend, is not really a person I feel needs to be destroyed.

Someone who just won $10,000, on the other hand? Fire away, says I!

Heather Warnken was voted Modern Bride of the Year by the readers of Modern Bride magazine. What’s so winning about Heather? Well, let’s hear what she had to say in her audition video:

I want an inspiring career. I want my work to really matter. But, above that, my biggest goal in life is to be a success as a mother and soon a wife to the love of my life.

That is modern!

If I can survive my law school finals while planning the most memorable destination wedding Sonoma has ever seen for 200 of our closest friends and family, and always keep putting love and family first, I guess that makes me the Modern Bride of the Year.

Jeez. Well, it doesn’t seem like you’re very serious about your wedding, Heather. I hope you’re not letting your law studies distract you from important decisions about flower arrangements and seating charts. Maybe you should put that “career” thing on hold for awhile…at least until you’ve figured out what your theme should be! That is, if you really want it to be memorable.

Other highlights of Heather’s application?

If I were given a superlative title like in high school yearbooks, I’d be voted: Biggest Character (per my fiancé!)

What does that mean? Anyone? Help me understand!

Here is my personal favorite:

If I were stranded on a desert island with my fiancé and could bring only three things, they would be: An Ipod with speakers, a blanket and sunblock!

Me? I’d go with matches, food, and book with a title like: “The Definitive Guide for Surviving on a Desert Island”. But sunblock is good. A blanket's good. I mean, you're going to be there awhile, you may as well get some color. An ipod will be great, too. At least up until the point when you need to charge it. Then you might have to eat your ipod.

Ah, wedding season.